My fencing bag was held together with duct tape, and everyone at the Sallefort saw it the second I walked through the front door.
I heard the laugh before I saw who it came from. A tall boy in a crisp white jacket, leaning against a pillar like he owned the whole building, looked at my bag and then at my shoes, which were two sizes too big because they used to be my mother's.
"New scholarship kid," he said, not even bothering to lower his voice. "They really do let anyone in now."
I didn't answer him. I had promised myself on the bus ride over that I would not let anyone here see me flinch, not on the first day, not ever. My name is Marisol Velasco, I am seventeen years old, and I had spent three years teaching myself fencing out of library books and cracked phone videos because private lessons cost more money than my family had ever seen at one time.
My mother used to say I had a stubborn streak wide enough to build a bridge across. She said it fondly, usually right after I'd argued with a teacher or refused to give up on something everyone told me was impossible. That stubbornness was the only reason I'd even entered the regional tournament that got me here, a cheap local competition held in a school gymnasium that smelled like floor wax, the kind of tournament nobody serious would bother traveling for. I'd won it wearing a jacket with a hole in the elbow. Somebody from the Sallefort had apparently been watching from the back row.
The Sallefort was not a school. It was a monastery once, hundreds of years old, with stone floors so cold they bit through my socks and ceilings so high they swallowed every sound except the click of blades. I had won a scholarship here on a fluke, a regional tournament nobody important watched, and from the moment I stepped inside, I understood I was standing in a place that had never once needed people like me.
A woman with a clipboard called my name and pointed me toward the main salle, where a crowd had already gathered along the gallery rail. That was strange. Nobody watches a scholarship kid's first practice.
"You're up against Roux," the woman said, like that explained everything.
It didn't. Not until I saw him walking onto the strip across from me, pulling on his mask with the easy confidence of someone who had never lost anything in his life. Étienne Roux. I would learn later that he was the academy's star, the boy the houses loved best, but in that moment I only knew he was smiling at me the way people smile at something they're about to step on.
"Don't worry," he said, saluting me with his blade. "I'll go easy."
He did not go easy. His first touch came so fast I barely saw his arm move, a clean hit to my chest that the machine registered with a sharp electronic beep. The gallery laughed. I felt my face go hot, and for one second I almost wanted to walk off the strip and let them have their joke.
Then I thought about my mother lying in our apartment, too weak most days to stand at the stove, and something in me went very quiet and very stubborn.
I do not fence with strength. I never had the muscle for it, growing up in a two-room apartment above a laundromat, eating whatever was cheapest that week. What I have is patience, and the ability to notice small things other people miss. So I stopped trying to match his speed and started watching his feet instead, the tiny hitch before he lunged, the way his shoulder dropped a fraction of a second before his blade did.
The second touch, I saw coming. I parried it and answered with a touch of my own, straight to his chest. The gallery went quiet.
"Lucky," Étienne muttered through his mask, but there was something different in his voice now. Less amusement. More attention.
We went back and forth like that for what felt like an hour, though it was probably fifteen minutes. He was better than me. He was faster, stronger, and he had a coach's polish that no library book could teach. But every single point he scored, he had to earn, and by the end I had made him fight harder than he had expected to fight against a girl with a taped-up bag and secondhand shoes.
Somewhere around the tenth point, something shifted in the gallery. I couldn't hear exact words over the ringing in my ears, but the tone of the whispers changed, curious instead of mocking. A boy near the front leaned over to his friend and pointed at my footwork, and for one strange second I felt almost like I belonged there, taped bag and all. It didn't last. Étienne noticed the shift too, and his next attack came faster, sharper, like he needed to remind everyone, including himself, who was supposed to win.
The final score was fifteen to twelve. I lost. But when he pulled off his mask, he wasn't smiling anymore, and the crowd along the rail wasn't laughing either. A few of them were whispering to each other, glancing at me the way you'd look at a stray dog that had somehow won a fight against a purebred.
"You're stubborn," Étienne said, shaking my hand because the rules required it, his grip tighter than it needed to be. "That's either going to get you somewhere here, or it's going to get you hurt. I haven't decided which yet."
I didn't sleep well that first night in the dormitory, partly because the bed was too soft after years of a mattress with springs poking through, and partly because I kept replaying every point of that bout in my head, looking for the moves I should have made differently. Around midnight, I gave up trying to sleep and got up for water, and that was when I heard it.
Blades. Real ones, striking together in a rhythm too fast and too aggressive for practice, coming from somewhere below the dormitory floor. The sound had a strange quality to it, sharper than the strikes I'd heard in the salle that afternoon, almost musical, like someone had trained an entire orchestra to fight instead of play. I told myself it was probably a night class, or an overzealous coach running drills, but curiosity has always been my weakness, and I was already pulling on socks before I'd finished the thought.
I followed the sound down a hallway I wasn't supposed to be in, past a door marked with a symbol I didn't recognize, nine crests arranged in a circle. The hallway ended at a stairwell that wasn't on any map they'd given me at orientation, narrow stone steps curving down into darkness, the sound of clashing steel growing louder with every step I took.
I told myself to turn around. I did not turn around.
At the bottom, the stairwell opened into a salle far older than anything upstairs, lit by candles instead of electric light, nine banners hanging from the stone walls, each one bearing a different crest. A crowd stood along the edges of the room, dressed like they'd stepped out of another century, watching two fencers duel on a strip laid into the ancient floor.
And none of them, not one single person in that crowd, appeared to be breathing at all.
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