She never actually answered my question. She just patted my wrist once, told me a car would take me to visit my mother in the morning, and swept out of the Under-Salle with the crowd parting for her the same way it had parted to let her in. I stood there a long time after she left, staring at the mark on my skin, trying to convince myself I hadn't just watched a boy bleed black liquid on an ancient fencing strip.
I didn't sleep that night. I spent most of it sitting on the edge of my dormitory bed, phone in hand, refreshing a website that told me nothing, because visiting hours didn't start until eight and my mother never answered calls before nine anyway. Every time I closed my eyes I saw the black liquid spreading across that white jacket, and every time I opened them I looked at the silver mark on my wrist to make sure it was still real. It was. By the time the sun came up, I had convinced myself I would march straight to the administration office and demand someone explain what I had agreed to.
The administration office told me, very politely, that they had no record of any Under-Salle, no record of any duel, and no idea what I was talking about. The woman at the front desk looked at me like I'd asked her about ghosts, and maybe, I thought later, I basically had.
I found the contract instead, or rather, it found me. A thick envelope was waiting on my bed when I returned from breakfast, my name written across the front in ink so dark it looked almost black. Inside was a stack of papers longer than my arm, full of language I barely understood, phrases like binding season and fifteen sanctioned touches and forfeiture clause repeated over and over until the words stopped meaning anything at all. I read it three times through, cross-legged on the floor of my room, and understood maybe half of it, which was exactly half more than I wanted to.
I tried to refuse it. That afternoon, I found the same woman in green from the night before, standing near the main salle like she'd been waiting for me, and I told her flatly that I wanted no part of any of this.
"You can refuse," she said, sounding almost bored by the idea. "The bond permits it. But understand what refusal costs."
"Tell me," I said.
"Your mother's treatment ends immediately. The forfeiture clause activates, which means every debt your family currently owes becomes due within thirty days, in full, with interest that has been quietly accumulating since before you were even born." She said all of this the way someone might read a grocery list, completely without emotion. "I could read you the exact clause, but I suspect the numbers would upset you more than the words."
I felt sick. My mother's medical debt was already more money than I would earn in ten years of any job I could imagine getting. If it all came due at once, we would lose the apartment, lose everything, and my mother would lose the treatment that was somehow, impossibly, already helping her. I thought about the last time I'd visited her before leaving for the Sallefort, how thin her wrist had looked in my hand, how she'd smiled anyway and told me not to worry about her, like worrying about her wasn't the thing I'd been doing every single day since I was twelve years old.
I didn't sign anything that day. I also didn't refuse. I just walked away, my whole body numb, and ended up on the academy roof because it was the only place I could find where nobody was watching me. I sat on an old crate near the edge for a long time, watching the city lights come on below, running numbers in my head that never added up to anything except worse and worse.
That was where I found him.
The boy from the Under-Salle was crouched near a row of wooden boxes at the far end of the roof, unmasked for the first time, wearing beekeeper's gloves and moving with a gentleness that seemed impossible for someone I'd watched bleed black liquid onto stone the night before. He didn't hear me approach until I was almost beside him, and when he looked up, I finally saw his face properly.
He looked my age. Maybe a year or two older. Dark hair, tired eyes, a face that seemed built for smiling but hadn't done much of it lately. There was a stillness to him that made me nervous, the kind of stillness you notice in people who've spent a very long time learning to make themselves small.
"You keep bees," I said, because it was the only thing my brain could produce.
"Somebody has to," he said. His voice was quiet, careful, nothing like the confident swagger I'd expected from someone the whole crowd had watched fight the night before. "They don't care about any of this. The houses, the bonds, the politics. They just want the roof to themselves and someone willing to bring them water in the summer."
"I'm Marisol," I said, though I was fairly sure he already knew that.
"Ilan," he said. "Ilan Brassard."
The last name landed hard. This was the boy Odile had called her nephew. The one I had scored the winning touch against without knowing what winning even meant.
"I'm sorry about last night," I said, the words tumbling out before I could stop them. "I didn't know what I was doing. I didn't know any of this was real, and I definitely didn't know I was hurting anyone."
He straightened slowly, pulling off one glove, studying me with an expression I couldn't quite read. There was no anger in it. If anything, it looked like something closer to grief.
"Don't apologize," he said. "You didn't do anything wrong. You fenced well, and you won fairly, and none of that is a thing you should be sorry for."
"Then what should I be sorry for?"
He looked away from me, out over the edge of the roof toward the city below, and for a long moment he didn't answer at all. When he finally spoke, his voice was so quiet I almost missed it.
"I'm sorry you won," he said.
Not congratulations. Not welcome to the house. Sorry.
I waited for him to explain, to say something that would make that sentence make sense, but he just turned back to his bees, gently lifting one of the wooden panels like our conversation had already ended, like there was nothing else about this that he was willing to say to me yet.
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